1999

Memory & Oblivion

Proceedings of the XXIXth International Congress of the History of Art held in Amsterdam, 1–7 September 1996

Editors:

ISBN: 978-94-010-5771-4 (Print) 978-94-011-4006-5 (Online)

Table of contents (131 chapters)

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  1. Front Matter

    Pages i-xiv

  2. Plenary Lectures

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      Pages 1-3

      Address by Aad Nuis, State Secretary for Education, Culture and Science at the opening of the Congress on Sunday 1 September 1996 in Amsterdam

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      Pages 5-10

      Opening Address

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      Pages 11-18

      The Play of Memory between Words and Images

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      Pages 19-23

      Concluding Remarks: Some Reflections on Tribal Gossip and other Metaphors

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      Pages 25-32

      Art History for the Millennium: The Theme of “Time” and the London Conference in the Year 2000

  3. The Memory of the Art Historian

    1. Front Matter

      Pages 33-33

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      Pages 35-42

      Eurocentrism and Art History? Universal History and the Historiography of the Arts before Winckelmann

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      Pages 43-56

      The Fondo Cicognara in the Vatican Library: Inventing the Art Library of the Future

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      Pages 57-62

      The Art Historian as Simonides: The Importance of Antique Memory in the Art Library, from Warburg to the Present

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      Pages 63-67

      The Memory of the Painter: Delacroix’s Journal

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      Pages 69-87

      Das „Handbuch der Kunstgeschichte“: Die Vermittlung kunsthistorischen Wissens als Anleitung zum ästhetischen Urteil

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      Pages 89-94

      The Archive’s Silent Record: Anti-Semitism and the Formation of Aby Warburg’s “Cultural Science”

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      Pages 95-99

      Antal and his Critics: A Forgotten Chapter in the Historiography of the Italian Renaissance in the Twentieth Century

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      Pages 101-109

      The Private World of Malinche: New Issues in Mexican Art History

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      Pages 111-121

      Art History in South Africa: Past and Present

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      Pages 123-130

      The History of Art Shaping Art?

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      Pages 131-136

      Technische und rechtliche Aspekte der Verwaltung von Text- und Bildrechten

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      Pages 137-148

      Video, ergo sum? Die Kunstgeschichte der virtuellen Bilder zwischen Erinnerungs- und Projektionstechnik

  4. Collecting and Recollecting

    1. Front Matter

      Pages 149-149

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      Pages 151-157

      The Military Gallery in the Winter Palace (The Hermitage): International Aspects of the National Memorial

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      Pages 159-165

      Die profane Wallfahrtsstätte: Gabriele D’Annunzios Vittoriale degli Italiani

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      Pages 167-171

      Le mythe de la «Collection Desjardins» et la constitution d’une tradition artistique au Québec

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