Skip to main content
Log in

Michael H. Kater, The Twisted Muse: Musicians and Their Music in the Third Reich

  • Published:
Journal of Cultural Economics Aims and scope Submit manuscript

This is a preview of subscription content, log in via an institution to check access.

Access this article

Price excludes VAT (USA)
Tax calculation will be finalised during checkout.

Instant access to the full article PDF.

Institutional subscriptions

References

  • Ashenfelter, O. (1989) “How Auctions Work for Wine and Art”. Journal of Economic Perspectives 3(3): 23–36.

    Google Scholar 

  • Baumol, W. and Bowen, W. (1966) Performing Arts: The Economic Dilemma. New York: Twentieth Century Fund.

    Google Scholar 

  • Cowen, T. and Tabarrok, A. (1998) “An Economic Theory of Avant-Garde and Popular Art, or High and Low Culture”. Working Paper.

  • Peacock, A. and Godfrey, C. (1974) “The Economics of Museums and Galleries”. Lloyds Bank Review 111: 17–28.

    Google Scholar 

  • Rosen, S. (1981) “The Economics of Superstars”. American Economic Review 71(5): 845–58.

    Google Scholar 

Download references

Authors

Rights and permissions

Reprints and permissions

About this article

Cite this article

Caplan, B. Michael H. Kater, The Twisted Muse: Musicians and Their Music in the Third Reich. Journal of Cultural Economics 22, 287–289 (1998). https://doi.org/10.1023/A:1007473419494

Download citation

  • Issue Date:

  • DOI: https://doi.org/10.1023/A:1007473419494

Keywords

Navigation