Danish cartoon controversy in the Chinese context: transnational Islam and public visibility of Hong Kong Muslims
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Abstract
Placed within the wider Chinese context of Muslims’ reticent response to the publication of twelve cartoons by Danish newspaper Jyllands-Posten, this paper attempts to understand the transnational impact of global Muslim protests against the Danish cartoons, which resulted in the re-emergence of Hong Kong Muslims in the public sphere. By discussing the genesis of the public appearance of Hong Kong Muslims in response to the Danish Cartoon affair, this paper argues that the controversy has resulted in a heightened sense of Islam in the Chinese public sphere. Framing the emerging Islamic voices in a context where the Chinese government has a coherent rationale towards religious policy in its domestic politics, and its unprecedented political experiment of ‘One country, two systems’, this article points out the contrasting public visibility and global connection of Muslims in Hong Kong and the Mainland.
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- Introduction: Danish caricatures and Hong Kong Muslims
- Islam with Chinese characteristics & a differential religious autonomy: ‘one country, two systems’ & ‘one global Ummah, two Chinese Islams’
- Islamic presence in the Chinese public sphere: From pre-1997 Hong Kong, 9/11 New York to the Danish cartoon controversy in 2006
- Transforming the Islamic expression against religious blasphemy: The genesis of the public appearance of Hong Kong Muslims
- Unintended consequences of the Danish cartoon controversy: visualization of Islam in politics, the Chinese media & inter-religious dialogue
- Conclusion & further research: future visibility and connectivity of Muslims in the rise of China
- References
- References
