Skip to main content
Log in

Seeing Red: Entropy, Property, and Resistance in the Summer Riots 2011

  • Published:
Law and Critique Aims and scope Submit manuscript

Abstract

This paper explores the thermodynamic property ‘entropy’ as a metaphor for aesthetics and politics, law and resistance in the case of the Summer Riots 2011. The aim of the paper is to use the framework and structure of entropy to demonstrate a political aesthetics of property. This shall be done by firstly linking entropy with aesthetic concepts of order, disorder, symmetry and equilibrium. Works on complex adaptive systems to account for collective behaviour, combined with Benjaminian and Adornian accounts of the commodity, shall be used alongside the relevance of crowd theory in explaining not the riots themselves but the sentencing of collectivity in the case of R v Blackshaw & Others [2011] EWCA Crim 2312. Following Rancière and the arts and crafts movement, utility and beauty, the breaking down of the divisions of art, life, philosophy and science are summarised as the lesson of entropy for law. This re-visiting of the Summer Riots 2011 hopes to re-evaluate the sentencing procedures in light of ‘Riot-Related Offending’ through an aesthetic politics of collectivity, property and commodity.

This is a preview of subscription content, log in via an institution to check access.

Access this article

Price excludes VAT (USA)
Tax calculation will be finalised during checkout.

Instant access to the full article PDF.

Similar content being viewed by others

Notes

  1. It should at this juncture be noted that there are critiques of entropy that emanate from the educational origins, the supposedly universal acceptance of the Second Law of Thermodynamics, and the risks there are of applying a systemic and mechanistic account of organisms and structures to human life. Most biological and social systems are open systems, therefore according to Toffler, trying to understand them in mechanistic terms without understanding the role of complexity and uncertainty, is doomed to failure (Toffler in Prigogine, 1984: xv). Gal-Or also seeks to question the fundamental understanding of entropy and the origin of the irreversibility of nature, and seeks just to speak of energy dissipation and not entropy itself (Gal-Or 1970).

  2. It is far less likely, in fact almost infinitely unlikely that a cliff should turn the powers of erosion on its head, and gather boulders and rocks from the sea to re-touch its coastline silhouette. It is highly probable that erosion will cause a cliff to lose its order through the interaction with the order of the elements, forcing materials and rocks to fall and diminish the cliff. This is the irreversibility of time. For Isaac Newton, time was reversible; however, given the shift from dynamics to thermodynamics, what makes there a past and a present in systems is an acknowledgement to randomness and uncertainty.

  3. The experience of being in love, is diverted from its original sexual drives and reconstituted as ‘identification’, ‘…the earliest expression of an emotional tie with another person’ (Freud 1922, p. 46). In the case of encountering strangers, which is a common feature of the crowd phenomena, this unconscious love is manifested as a form of narcissism. However, in the case of a group situation, this narcissism is suspended and transformed into a tie with the others of the group. In the case of the forming components of identification, when the narcissistic ‘ego ideal’ is represented through the presence of the other members of the crowd, this is where, according to Freud, the ego introjects the object (group bond) onto itself. Therefore, ‘the object can be put in place of the ego ideal’ (Freud 1922, p. 47), constituting ‘…a primary group of this kind [a]s a number of individuals who have put one and the same object in place of their ego ideal and have consequently identified themselves with one another in their ego’ (Laclau 2005, p. 56).

  4. This refers to Section 63 regarding powers to remove persons attending or preparing for a rave, a gathering on land in the open air. Subsection (1A) (a) refers to a gathering on land of 20 or more persons who are trespassing on the land, thus allowing the authorities to intervene based upon numbers.

  5. See Legal Aid and Sentencing Bill (2012) which has received Royal Assent and when in force will make squatting in residential buildings a criminal offence.

References

  • Adorno, Theodor, Walter Benjamin, Ernst Bloch, Bertolt Brecht, and George Lukács. 1977. Aesthetics and politics. London: Verso.

    Google Scholar 

  • Agamben, Giorgio. 1998. Homo Sacer: Sovereign power and bare life. Stanford: Stanford University Press.

    Google Scholar 

  • Arnheim, Rudolf. 1971. Entropy and art: An essay on order and disorder. Berkeley: University of California Press.

    Google Scholar 

  • Arnheim, Rudolf. 1973. On entropy and art. Leonardo 6(2): 188–189.

    Article  Google Scholar 

  • Ashworth, Andrew. 2012. Departures from the sentencing guidelines. Criminal Law Review 2: 81–96.

    Google Scholar 

  • Bailey, Kenneth. 2004. Entropy systems theory, Encyclopaedia of life support systems (EOLSS). Paris: UNESCO.

    Google Scholar 

  • Benjamin, Walter. 1976. Charles Baudelaire: A lyric poet in the era of high capitalism. London: Penguin.

    Google Scholar 

  • Benjamin, Walter. 2008. The work of art in the age of mechanical reproduction. London: Penguin.

    Google Scholar 

  • Bergson, Henri. 1944. Creative evolution. New York: Henry Holt.

    Google Scholar 

  • Bhattacharyya, Gargi, James Cowles, Steve Garner, and Ajmal Hussain. 2012. Communities, centres, connections, disconnections: Some reflections on the riots in Birmingham. Sociological Research Online 17(1): 1–4.

    Article  Google Scholar 

  • Burroughs, William S. 1986. Freud and the unconscious. In Burroughs, ed. S. William. The adding machine: Selected essays New York, Arcade Publishing.

    Google Scholar 

  • Coit, Emily. 2010. This immense expense of art: George Eliot and John Ruskin on consumption and the limits of sympathy. Nineteenth-Century Literature 65(2): 214–245.

    Article  Google Scholar 

  • Day, Ronald. 1999. Information and entropy in the Cold War and its present: Emergent meaning in the art of Robert Smithson. Presented at ‘Sociality/materiality: The status of the object in social science conference, 9–11 September, Brunel University, UK.

  • Debord, Guy. 2002. The society of the spectacle. Canberra: Hobgoblin Press.

    Google Scholar 

  • de Sousa Santos, Boaventura. 1999. The fall of angelus Novus: Beyond the modern game of roots and options. At www.eurozine.com.

  • de Sousa Santos, Boaventura. 2004. A critique of lazy reason: Against the waste of experience. In The modern world-system in the Long Durée, ed. Immanuel Wallerstein. Colorado: Boulder.

    Google Scholar 

  • de Sousa Santos, Boaventura, and César Rodríguez-Garavito (eds.). 2005. Law and globalization from Below: Towards a cosmopolitan legality. Cambridge: Cambridge Studies in Law and Society.

    Google Scholar 

  • Engler, Gideon. 1994. From art and science to perception: The role of aesthetics. Leonardo: Art and Science Similarities, Differences and Interactions: Special Issue 27(3): 207–209.

    Google Scholar 

  • Escobar, Arturo. 2003. Other worlds are (already possible): Self-organisation, complexity, and post-capitalist cultures. In The world social forum: Challenging empires, ed. Jai Sen, Anita Anand, Arturo Escobar, and Peter Waterman. New Delhi: Viveka Foundation.

    Google Scholar 

  • France, Michel, and Alain Hénaut. 1994. Art, therefore entropy. Leonardo: Art and Science Similarities, Differences and Interactions: Special Issue 27(3): 219–221.

    Google Scholar 

  • Freud, Sigmund. 1989. [1959]. Group psychology and the analysis of the ego, New York: W. Norton & Company.

  • Gal-Or, Benjamin. 1970. Entropy, fallacy and the origin of irreversibility: An essay in the New Astrophysical Revolutionary School of Thermodynamics, Annals NY of Academic Sciences, Art 6: 307–325.

  • Gore, Georgiana. 2010. Flash mob dance and the territorialisation of urban movement. Anthropological Notebooks 16(3): 125–131.

    Google Scholar 

  • Hornstein, Donald. 2004. Complexity Theory, adaptation and administrative law. Duke Law Journal 54: 914–960.

    Google Scholar 

  • Kellner, Douglas. 2012. The dark side of the spectacle: Terror in Norway and the UK riots. Cultural Politics 8(1): 1–43.

    Google Scholar 

  • King, Erika. 1990. Crowd theory as a psychology of the leaders and the led. New York: Edwin Mallen Press.

    Google Scholar 

  • Laclau, Ernesto. 2005. On populist reason. London: Verso.

    Google Scholar 

  • Le Bon, Gustav. 1885. The French revolution and the psychology of revolution. New Brunswick: Transaction Books.

    Google Scholar 

  • Le Bon, Gustav. 1897. The psychology of peoples. London: T Fischer Unwin.

    Google Scholar 

  • Lorand, Ruth. 1994. Beauty and its opposites. The Journal of Aesthetics and Art Criticism 52(4): 399–406.

    Article  Google Scholar 

  • Lorand, Ruth. 1996. Bergson’s concept of art. British Journal of Aesthetics 39(4): 400–415.

    Article  Google Scholar 

  • Luhmann, Niklas. 1985. A sociological theory of law. London: Taylor and Francis.

    Google Scholar 

  • Marinetti, Filippo. 2009. The futurist manifesto. In Futurist manifestos, ed. Umbro Appollonio. London: Thames and Hudson.

    Google Scholar 

  • McDougall, William. 1920. The group mind: A sketch of the principles of collective psychology with some attempt to apply them to the interpretation of natural life and character. London: Cambridge University Press.

    Google Scholar 

  • Mitchell, Barry. 2011. Sentencing riot-related offending: Considering Blackshaw and Others. Archbold Review 10: 4–7.

    Google Scholar 

  • Mottram, Eric. 1970. The algebra of need. New York: Intrepid Press.

    Google Scholar 

  • Morris, William. 1947. On art and socialism. London: Purnell & Sons.

    Google Scholar 

  • Nye, Robert. 1975. The origins of crowd psychology: Gustave Le Bon and the crisis of mass democracy in the Third Republic. London: Sage Publications.

    Google Scholar 

  • Power, Nina. 2012. From kettles to courtrooms: The police crackdown on protest, Red Pepper Magazine.

  • Prigogine, Ilya, and Isabelle Stengers. 1984. Order out of chaos: Man’s new dialogue with nature. London: Flamingo.

    Google Scholar 

  • Prigogine, Ilya, and Isabelle Stengers. 1997. The end of certainty: Time, chaos and the new laws of nature. New York: The Free Press.

    Google Scholar 

  • Prochaska, Elizabeth. 2011. UK riots: Should the rioters lose their entitlement to benefits? The Guardian, 11 August 2011.

  • Rancière, Jacques. 2002. The aesthetic revolution and its outcomes: Employments of heteronomy and autonomy. New Left Review 14: 133–151.

    Google Scholar 

  • Ruhl, J.B. 1996. Complexity theory as a paradigm for the dynamical law-and-society system: A wake-up call for legal reductionism and the modern administrative state. Duke Law Journal 45(5): 849–927.

    Article  Google Scholar 

  • Ruskin, John, and William Morris. 2008. The stones of Venice. London: Euston Grove Press.

    Google Scholar 

  • Ruskin, John. 1857. The political economy of art. In The works of John Ruskin, vol. 16, ed. E.T. Cook, and Alexander Wedderburn. New York: Longmans.

    Google Scholar 

  • Ruskin, John. 2004. On art and life. London: Penguin Books.

    Google Scholar 

  • Smithson, Robert. 1996. Entropy and the new monuments. In Flam, Jack, ed. Unpublished writings in Robert Smithson: The collected writings, Berkeley: University of California Press.

  • Tarde, Gabriel. 1969. On communication and social influence: Selected papers, ed. Terry N. Clark, Chicago: University of Chicago Press.

  • Tonkin, Emma, Heather Pfeiffer, and Greg Tourte. 2012. Twitter, information sharing and the London riots? American Society for Information Science and Technology 38(2): 49–57.

    Article  Google Scholar 

  • The Guardian and LSE. 2012. Reading the riots: Investigating England’s summer of disorder.

  • Urry, John. 2003. Global complexity. Cambridge: Polity.

    Google Scholar 

Cases

  • R v Caird [1970] 54 Cr. App. R 499.

  • R v Blackshaw & Others [2011] EWCA Crim 2312.

Download references

Author information

Authors and Affiliations

Authors

Corresponding author

Correspondence to Lucy Finchett-Maddock.

Rights and permissions

Reprints and permissions

About this article

Cite this article

Finchett-Maddock, L. Seeing Red: Entropy, Property, and Resistance in the Summer Riots 2011. Law Critique 23, 199–217 (2012). https://doi.org/10.1007/s10978-012-9111-z

Download citation

  • Published:

  • Issue Date:

  • DOI: https://doi.org/10.1007/s10978-012-9111-z

Keywords

Navigation