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Moving Images Through an Assemblage: Police, Visual Information, and Resistance

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Abstract

Through interviews with police and document analysis this article examines the movement of video surveillance images from source to police to the courts in order to assess and refine the surveillant assemblage concept. Using this concept, the case study reveals asymmetrical criminalization processes involving movement of this visual information. The study finds that most video surveillance images transferred to police come from private sources as a consequence of function creep and that their movement epitomizes creation of criminalized ‘data-doubles’. However, the article argues that this criminalizing movement through the police is revealed as less than a seamless process; it is dependent on human labour and encounters forms of resistance along the way that include increased police workload and technological limitations.

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Notes

  1. Information is that ‘which is objectified in institutional representations, a property and resource that provides a capacity for action’ (Ericson and Haggerty 1997: 83–84).

  2. This information was retrieved after another suspect, who was cleared by other information, had been subjected to covert police surveillance due to tips received through release of video surveillance images.

  3. It is unknown if other evidence was deployed.

  4. This procedure may gradually change due to the 2008 Nikolovski hearing in Quebec in which a judge found that surveillance images obtained using a specific protocol for creating a copy (i.e., not shutting down the system) were admissible as evidence (R. v. MacNeil 2008).

  5. Both hypothetical situations assume other physical evidence (e.g., fingerprints) is unavailable.

  6. Charges in the second case were still pending at the time of writing.

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Case Law

  • R. v. MacNeil, 2008 Q.C.C.S. 915.

  • R. v. Nikolovski, 1996 3 S.C.R. 1197.

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Correspondence to Randy Lippert.

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The authors contributed equally to the theoretical and empirical development of this article.

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Wilkinson, B., Lippert, R. Moving Images Through an Assemblage: Police, Visual Information, and Resistance. Crit Crim 20, 311–325 (2012). https://doi.org/10.1007/s10612-011-9141-0

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