Neophilologus

, Volume 94, Issue 3, pp 509–522

Burh and Beam, Burning Bright: A Study in the Poetic Imagination of the Old English Exodus

Authors

    • English DepartmentYale University
Article

DOI: 10.1007/s11061-009-9184-6

Cite this article as:
Ferhatović, D. Neophilologus (2010) 94: 509. doi:10.1007/s11061-009-9184-6
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Abstract

The Old English Exodus, a vigorous poetic retelling of the most exciting parts of the eponymous book, stands out from its immediate context, Junius 11, a manuscript of Biblical verse, and, indeed, from the rest of the Anglo-Saxon literature. One of the distinct features of its poetics is its self-conscious handling of two unexpected evocative objects to explore the larger themes of connection and disruption, tradition and innovation. The first, surprising for a poem taking place in and around the desert and the sea, is the burh, “city, fortification, enclosure,” that emerges, on a horizontal axis, in various permutations throughout the epic voyage of the Israelites, and shows continuity within discontinuity. The second crucial artifact, the shape-shifting pillar separates Moses’ troop from their surroundings while connecting them vertically to the biblical past and the Christian and eschatological future. Through my investigation of these two evocative objects I hope not only to illuminate a new aspect of an Old English poetics, but also to make an early-medievalist contribution to recent discussions of fusions between the human and the artifactual in “thing theory.”

Keywords

The Old English ExodusPoeticsEvocative objectsThing theory

Copyright information

© Springer Science+Business Media B.V. 2009