Journal of Cultural Economics

, Volume 18, Issue 4, pp 271–300

Understanding Hollywood's organization and continuing success

  • Keith Acheson
  • Christopher J. Maule
Article

DOI: 10.1007/BF01079760

Cite this article as:
Acheson, K. & Maule, C.J. J Cult Econ (1994) 18: 271. doi:10.1007/BF01079760

Abstract

Integrated international marketing of films and related merchandise and close financial ties between distributors and roducers have evolved to cope with the risks of piracy, cost containment, opportunism, and revenue uncertainty. Our reading of the evidence is that this system has dominated because of its efficiency. In search of an explanation of why America remains the centre of this institutional and contractual web, we examine the impact of two world wars, the rapid commercialization of new technologies in the United States by aggressive managers, an open financial system and the ethnic diversity, language homogeneity, and size of the domestic market.

Key words

FilmHollywoodriskmanagementorganizationpolicypersistences

Copyright information

© Kluwer Academic Publishers 1994

Authors and Affiliations

  • Keith Acheson
    • 1
  • Christopher J. Maule
    • 2
    • 3
  1. 1.Economics DepartmentCarleton UniversityOttawaCanada
  2. 2.Economics DepartmentCarleton UniversityOttawaCanada
  3. 3.Norman Paterson School of International AffairsCarleton UniversityOttawaCanada