Skip to main content
Log in

Tracing the Transition from Study to a Contemporary Creative Working Life: The Trajectories of Professional Musicians

  • Original Paper
  • Published:
Vocations and Learning Aims and scope Submit manuscript

Abstract

The classical music academy is a site dominated by traditional meanings of creative practice and an image of the professional creative career as solo performer that is fully available to only a very few students after graduating. The purpose of the study reported in this paper is to explore career-young professional pianists’ talk about the transition from study within a music academy to working life. The focus is on the ways in which they characterize the nature and significance of this transition from very traditional practice and study, and how they (re)negotiate their identities as professional musicians and pianists in contemporary working life. Four classical pianists were interviewed in-depth about their musicianship, including their transition from study to working life. The qualitative analyses presented here suggest that, as they talked about their transitions and developing musicianship, the speakers constructed, re-constructed and oriented to notions of professional trajectories. Such trajectories are emergent, relational and contextually constituted (Sawyer 2003; MacDonald and Miell 2002; Moran and John-Steiner 2004). Rather than being fixed or dependent on communal expectations, they reflect creative freedom and independence, encompassing multiple influences. Crucially, the transition from study to working life is implicated in the process of assuming agency in respect of one’s own musicianship and career—a process that involves identity work, the (re)negotiation of pathways, narrations and trajectories.

This is a preview of subscription content, log in via an institution to check access.

Access this article

Price excludes VAT (USA)
Tax calculation will be finalised during checkout.

Instant access to the full article PDF.

Similar content being viewed by others

Notes

  1. Interviews were conducted in Finnish, transcribed in Finnish for the initial analysis (by Juuti) and translated into English for further analysis by both authors. The transcripts presented here have been translated to retain details of wording relevant to the analysis . We have avoided the larger changes that would be necessary to reproduce the style of colloquial spoken English. Some translations may therefore appear slightly stilted.

  2. Transcripts include the following features:

    Italics to indicate emphasis

    -- -to indicate words omitted from the extract presented here

    …to indicate long pause

References

  • Barnes, B. (2000). Understanding agency. Social theory and responsible action. London: Sage.

    Google Scholar 

  • Bennett, D. (2007). Utopia for music performance graduates. It is achievable, and how should it be defined? British Journal of Music Education, 24, 179–189.

    Article  Google Scholar 

  • Bransford, J. D., & Brown, A. C. (2000). How people learn: Brain mind experience and school. Washington DC: New Academic Press.

    Google Scholar 

  • Burland, K., & Davidson, J. W. (2004). Tracing a musical life transition. In J. W. Davidson (Ed.), The music practitioner: Research for the music performer, teacher and listener (pp. 225–249). Aldershot: Ashgate.

    Google Scholar 

  • Burt, R., & Mills, J. (2006). Taking the plunge: the hopes and fears of students as they begin Music College. British Journal of Music Education, 23, 51–73.

    Article  Google Scholar 

  • Corkhill, D. (2005). A young person’s guide to the orchestral profession. British Journal of Music Education, 22(3), 269–285.

    Article  Google Scholar 

  • Eteläpelto, A., & Saarinen, J. (2006). Developing subjective identities through collective participation. In S. Billet, T. Fenwick, & M. Sommerville (Eds.), Work, subjectivity and learning: Understanding learning through working life (pp. 157–177). Dordrecht: Springer.

    Google Scholar 

  • Fielding, N. (1993). Qualitative interviewing. In N. Gilbert (Ed.), Researching social life (pp. 135–153). London: Sage.

    Google Scholar 

  • Grossen, M., & Pochon, L.-C. (1997). Interactional perspectives on the use of the computer and on the technological development of a new tool: The case of word processing. In L. Resnick, R. Säljö, C. Pontecorvo, & B. Burge (Eds.), Discourse, tools and reasoning: Essays on situated cognition (pp. 265–287). Berlin: Springer.

    Google Scholar 

  • Juuti, S., & Littleton, K. (2010). Musical identities in transition: Solo-piano students’ accounts of entering the academy. Psychology of Music, 34(4), 481–497.

    Article  Google Scholar 

  • Kingsbury, H. (1988). Music, talent and performance: A conservatory cultural system. Philadelphia: Temple University Press.

    Google Scholar 

  • MacDonald, R. A. R., & Miell, D. (2002). Music for individuals with special needs: A catalyst for developments in identity, communication and music ability. In R. A. R. MacDonald, D. J. Hargreaves, & D. Miell (Eds.), Musical identities (pp. 163–178). Oxford: Oxford University Press.

    Google Scholar 

  • MacDonald, R., Miell, D., & Wilson, G. (2005). Talking about music: A vehicle for identity development. In D. Miell, R. MacDonald, & D. J. Hargreaves (Eds.), Musical communication (pp. 321–338). Oxford: Oxford University Press.

    Chapter  Google Scholar 

  • MacNamara, A., Holmes, P., & Collins, D. (2006). The pathway to excellence: The role of psychological characteristics in negotiating the challenges of musical development. British Journal of Music Education, 23(3), 285–302.

    Article  Google Scholar 

  • MacNamara, A., Holmes, P., & Collins, D. (2008). Negotiating transitions in musical development: the role of psychological characteristics of developing excellence. Psychology of Music, 36(3), 335–352.

    Article  Google Scholar 

  • Manturzewska, M. (1990). A biographical study of the life-span development of professional musicians. Psychology of Music, 18(2), 112–139.

    Article  Google Scholar 

  • Miller, J., & Baker, D. (2007). Career orientation and pedagogical training: Conservatoire undergraduates’ insights. British Journal of Music Education, 24(1), 5–19.

    Article  Google Scholar 

  • Mills, J. (2004a). Working in music: the conservatoire professor. British Journal of Music Education, 21(2), 179–198.

    Article  Google Scholar 

  • Mills, J. (2004b). Working in music: becoming a performer teacher. Music Education Research, 6(3), 245–261.

    Article  Google Scholar 

  • Mishler, E. G. (1986). Research interviewing: Context and narrative. Cambridge: Harvard University Press.

    Google Scholar 

  • Nikander, P. (2008). Working with transcripts and translated data. Qualitative Research in Psychology, 5(3), 225–231.

    Article  Google Scholar 

  • Patton, M. Q. (2002). Qualitative research and evaluative methods (3rd ed.). Thousands Oaks: Sage.

    Google Scholar 

  • Sosniak, L. A. (1985). Learning to be a concert pianist. In B. S. Bloom (Ed.), Developing talent in young people. New York: Ballantine.

    Google Scholar 

  • Taylor, S., & Littleton, K. (2008). Art work or money: Conflicts in the construction of a creative identity. The Sociological Review, 56(2), 275–292.

    Article  Google Scholar 

  • Wenger, E. (1998). Communities of practice: Learning, meaning, and identity. Cambridge: Cambridge University Press.

    Google Scholar 

  • Wirtanen, S., & Littleton, K. (2004). Collaboration, conflict and the musica identity work of solo students: The significance of the student-teacher relationship. In D. Miell & K. Littleton (Eds.), Collaborative creativity (pp. 26–39). London: Free Association Press.

    Google Scholar 

  • Wooffitt, R. (2001). Researching psychic practitioners: Conversational analysis. In M. Wetherell, S. Taylor, & S. J. Yates (Eds.), Discourse as data: A guide for analysis (pp. 49–92). London: Sage.

    Google Scholar 

Download references

Author information

Authors and Affiliations

Authors

Corresponding author

Correspondence to Sini Juuti.

Rights and permissions

Reprints and permissions

About this article

Cite this article

Juuti, S., Littleton, K. Tracing the Transition from Study to a Contemporary Creative Working Life: The Trajectories of Professional Musicians. Vocations and Learning 5, 5–21 (2012). https://doi.org/10.1007/s12186-011-9062-9

Download citation

  • Received:

  • Accepted:

  • Published:

  • Issue Date:

  • DOI: https://doi.org/10.1007/s12186-011-9062-9

Keywords

Navigation