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The political economy of memory: the challenges of representing national conflict at ‘identity-driven’ museums

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Abstract

This article investigates how national histories marred by racial conflict can be translated into narratives of group identity formation. I study the role of “identity-driven” museums in converting American’s racial past into a metanarrative of black identity from subjugation to citizenship. Drawing on a thick description of exhibitions at 15 museums, interviews with curators and directors, museum documents, and newspaper articles, I use the “political economy of memory” as a framework to explain how ideological and material processes intersect in the production of exhibitions. I show that in addition to struggles over the truth and interpretive styles, more prosaic issues of funding, attendance, and institutional capacity-building hve an impact on representational selectivities. I explain how these issues affect black museums operating during the civil rights and post-civil rights eras. I consider the motivations and consequences of “remembering” national histories of violence and intolerance through the prism of group identity formation.

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Notes

  1. I studied the permanent exhibition at each museum between 2006 and 2008.

  2. This study does not include plantation museums because their origins do not trace back to the black museum movement. See Eichstedt and Small (2002), Representation of Slavery: Race and Ideology in Southern Plantation Museums. Washington and London: Smithsonian Institution Press.

  3. For a review of these early efforts see Ruffins, “Culture Wars Won and Lost, Part II: The National African American Museum Project,” Radical History Review, 70, 1998. Also see Raol Dennis, “Who Axed the African American Museum on the Mall,” New Crisis, February/March 1998.

  4. See Irvin Molotsky, “Washington Talk: The Mall; An Empty Space Inspires Battle of the Museums,” New York Times, 19 April 1988.

  5. J. Horton and J. Kardux also make this point in their comparison of public responses to commemorating slavery in the United States and the Netherlands. See “Slavery and Public Memory in the United States and the Netherlands,” New York Journal of American History, Fall/Winter 2005.

  6. The museum is expected to open in 2015. Based on preliminary information, some observers have expressed concern that the content is too superficial. See Edward Rothstein, “Web Preview: Tentative Step for Black Museum,” New York Times, 15 October 2007.

  7. Quoted in K. Bradsher, “Up From the Slave Ships: Museum Tells the Story,” New York Times, 12 April 1997.

  8. For a detailed description of the “And Still We Rise” exhibition see Dora Apel, “Images of Black History: The Charles H. Wright Museum of African American History,” Dissent, Summer 2001.

  9. This guided tour took place 02 May 2006, with the museum’s director Michele Mitchell serving as the tour guide.

  10. Interview conducted 26 May 2006.

  11. Quoted in Edward Rothstein, “The Black History Exhibit, Museums that Tell You What to Think,” New York Times, 20 April 1997.

  12. Interview conducted 14 June 2006.

  13. It should be noted that these museums disseminate a version of black history remarkably similar to the narratives popularized by Carter Woodson. They do not engage more recent or controversial scholarship, such as findings about the lower morality rates among enslaved people compared to white southerners (See Fogel and Engerman (1974), Time on the Cross)

  14. Quoted in Noam Cohen, “In Frederick Douglass Tribute, Slave Folklore and Fact Collide,” New York Times, 23 January 2007.

  15. Interview conducted 08 May 2008.

  16. This exhibition opened in 2002. See Jeffrey Gettleman, “Museum Gives Voice to Doubts on Dr. King’s Killer,” New York Times, 16 October 2002. Also see Kevin Sack, “In Memphis, Conflicting Paths on Dr. King’s Legacy,” New York Times, 03 April 1998.

  17. Founded by sociology professor David Pilgrim, the museum is located at Ferris State University.

  18. “Anacostia Advocate,” Washington Post 9/16/77

  19. M. Burroughs quoted in interview with J. Fleming, published in The Public Historian, 21(1), 1999.

  20. African American Museums Association and American Association for State and Local History. Profile of Black Museums: A Survey Commissioned by the African American Museums Association. Washington, DC: African American Museums Association, 1988.

  21. Interview conducted 02 May 2006

  22. Camille Akeju, interview conducted 20 August 2007

  23. As reported by museum director and CEO Lawrence Pijeaux Jr., in “Birmingham Civil Rights Institute: A Brief History,” available on-line at http://www.blackpast.org, retrieved 24 September 2010.

  24. As reported by the AAAM in “Dr. Lawrence J. Pijeaux, Jr. Named Alabama Tourism Executive of the Year,” available on-line at blackmuseums.org, retrieved 24 September 2010.

  25. Coca-Cola donated 2.5 acres near its world headquarters for $1 per year. See “Coke to Donate Land for Civil Rights Museum,” Atlanta Business Chronicle, 23 October 2006.

  26. Interview conducted 02 May 2006.

  27. Interview conducted 03 May 2006. Hilliard died in 2007.

  28. M. Curnutte, (2011), “Freedom Center Seeks Federalization,” Cincinnati Enquirer, 01/06/11.

  29. K. Holmes, “Funding for the National Civil Rights Museum in Jeopardy,” ABC News, 06/01/10.

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Acknowledgments

Many thanks to Gay Seidman, Mara Loveman, Ron Aminzade, Mary Jo Maynes, Erik Wright, Paul Bjerk, Mary Ann Clawson, Greg Goldberg, and Pamela Oliver for helpful comments on earlier versions of this paper. Thanks also to Karen Lucas and the anonymous reviewers at Theory & Society for their thoughtful comments and suggestions.

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Correspondence to Robyn Autry.

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Autry, R. The political economy of memory: the challenges of representing national conflict at ‘identity-driven’ museums. Theor Soc 42, 57–80 (2013). https://doi.org/10.1007/s11186-012-9185-5

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