Abstract
In recent years, the gastronomy industry has increased the demand for rigorous and reliable tools to evaluate culinary creativity; but conceptually, creativity is difficult to define and even more difficult to measure. In this paper, we propose an AI-based method for assessing culinary product creativity by using the renowned high cuisine restaurant elBulli as a case study to understand the proliferation and scale of an entity’s creativity and innovation. To achieve so, we trained a Random Forest Classifier to assess the level of creativity within the restaurant’s recipes. The application of this model to elBulli’s recipes allowed us to answer the following questions: how can creativity in a culinary product be characterized? Is there a single trait that is the key to culinary creativity? Is the creative culinary product a truly original outcome? Our key findings are (1) although ingredients and preparation techniques prove to be suitable attributes to characterize creativity in a recipe, none of them nor an elite subset clearly identifies creative cuisine, (2) new products are not radically novel with respect to previous creations, (3) creativity is more related to new uses and combinations of existing ingredients and techniques rather than to new ingredients or techniques. We believe that our method can find practical applications in supporting and guiding the creation of culinary products, identifying their strengths and weaknesses, and helping restaurants maintain a sustainable competitive advantage.
Similar content being viewed by others
Notes
For example, Heller (1954) considers that the relationship between the creator and the creation is significantly analogous to the emotion experienced by the artist facing their artistic work. Emotions can also be experienced by the recipient—the creator can make the recipient feel a positive affect; an emotional impact and identity with the creation (Horn and Salvendy 2006).
The general meaning of the term product used in this paper is “a final outcome or result of a process”, “something produced”. Nonetheless, the term product referring to this footnote is an intermediate outcome, yet closer to an ingredient than to a final result. In elBulli’s language, a product is the result of applying cooking techniques to ingredients; but it is not a final result per se.
Idem.
Idem. The term product acquires the general meaning again in the following uses from now on.
Although the academic literature agrees that elBulli created its own culinary language (e.g., Cassarino 2014; Svejenova et al. 2010; Suárez and Sancho-Caparrini 2013), studying this language from a formal theoretical framework is out of the scope of this paper. Instead, we are analyzing the vocabulary encoded in elBulli’s menu, which constitutes itself a cultural artifact, as inferred in Sect. 5.
Programming language (https://www.python.org/).
Natural language processing library (http://www.nltk.org/).
Data analysis library (https://pandas.pydata.org/).
Machine learning library (http://scikit-learn.org/).
Plotting library (https://matplotlib.org/).
References
Adrià F, Soler J, Adrià A (2005a) ElBulli 1983–1993. Rba Libros, Roses
AdriàSoler FJ, Adrià A (2005b) ElBulli 1998–2002, Slp. HarperCollins Canada/Non-Fiction, New York
Adrià F, Soler J, Adrià A (2005c) Elbulli 2003–2004, 1st edn. Harpercollins Trade Sales Dept, New York
Adrià F, Soler J, Adrià A (2006a) ElBulli 2005. Harpercollins Trade Sales Dept, New York
Adrià F, Soler J, Adrià A (2006b) ElBulli 1994–1997, English. Ecco, Barcelona
Adrià F, Soler J, Adrià A (2014) ElBulli 2005–2011, Slp. Phaidon Press
Ahn Y-Y, Ahnert SE, Bagrow JP, Barabási A-L (2011) Flavor network and the principles of food pairing. Sci Rep 1(December):196. https://doi.org/10.1038/srep00196
Albert RS, Runco MA (1999) A history of research on creativity. In: Sternberg RJ (ed) Handbook of creativity. Cambridge University Press, Cambridge, pp 16–31
Althuizen N (2012) The relative performance of different methods for selecting creative marketing personnel. Mark Lett 23(4):973–985. https://doi.org/10.1007/s11002-012-9198-x
Amabile TM (1982) The social psychology of creativity: a consensual assessment technique. J Pers Soc Psychol 43(5):997–1013
Amabile TM (1983) The social psychology of creativity: a componential conceptualization. J Pers Soc Psychol 45:357–376
Amabile TM (1996) Creativity in context: update to the social psychology of creativity. Westview Press, Boulder
Atchley RA, Keeney M, Burgess C (1999) Cerebral hemispheric mechanisms linking ambiguous word meaning retrieval and creativity. Brain Cogn 40(3):479–499. https://doi.org/10.1006/brcg.1999.1080
Baer J, Kaufman JC, Gentile CA (2004) Extension of the consensual assessment technique to nonparallel creative products. Creat Res J 16(1):113–117. https://doi.org/10.1207/s15326934crj1601_11
Baer J, Kaufman JC, Riggs M (2009) Brief report: rater-domain interactions in the consensual assessment technique. Int J Creat Probl Solving 19(2):87–92
Barbot B, Besançon M, Lubart TI (2011) Assessing creativity in the classroom. Open Educ J. https://doi.org/10.2174/187492080110
Barron F, Harrington DM (1981) Creativity, intelligence, and personality. Annu Rev Psychol 32:439–476. https://doi.org/10.1146/annurev.ps.32.020181.002255
Barron F, Sternberg RJ (1988) Putting creativity to work. The nature of creativity: contemporary psychological perspectives. Cambridge University Press, New York, pp 76–98
Basadur M, Runco MA, Vega LA (2000) Understanding how creative thinking skills, attitudes and behaviors work together: a causal process model. J Creat Behav 34(2):77–100. https://doi.org/10.1002/j.2162-6057.2000.tb01203.x
Battula BP, Satya Prasad R (2015) A novel network framework using similar-to-different learning strategy. AI Soc 30(1):129–138. https://doi.org/10.1007/s00146-013-0499-2
Baxter P, Jack S (2008) Qualitative case study methodology: study design and implementation for novice researchers. Qual Rep 13(4):544–559
Besemer SP, O’Quin K (1987) Creative product analysis: testing a model by developing a judging instrument. In: Isaksen SG (ed) Frontiers of creativity research: beyond the basics. Bearly Limited, Buffalo, pp 341–357
Boden MA (1994) What is creativity? In: Boden MA (ed) Dimensions of creativity. MIT Press, Cambridge, pp 75–117
Breiman L (2001) Random forests. Mach Learn 45(1):5–32. https://doi.org/10.1023/A:1010933404324
Breiman L, Friedman J, Stone CJ, Olshen RA (1984) Classification and regression trees, 1st edn. Chapman and Hall/CRC, Boca Raton
Briskman L (1980) Creative product and creative process in science and art. Inq Interdiscip J Philos 23(1):83–106. https://doi.org/10.1080/00201748008601892
Brown RT (1989) Creativity: what are we to measure. Handbook of creativity: perspectives on individual differences. Plenum Press, New York, pp 3–32
Capdevila I, Cohendet P, Simon L (2015) Establishing new codes for creativity through haute cuisine: the case of Ferran Adrià and elBulli. Technol Innov Manag Rev 5(7):25–33
Cardoso A, Veale T, Wiggins GA (2009) Converging on the divergent: the history (and future) of the international joint workshops in computational creativity. AI Mag 30(3):15–22
Cassarino S (2014) American food culture, the language of taste, and the edible image in twentieth-century literature. PhD Thesis, UCLA, Los Angeles
Cattell RB, Butcher HJ (1968) The prediction of achievement and creativity. Bobbs-Merrill, Oxford
Chaston I, Sadler-Smith E (2012) Entrepreneurial cognition, entrepreneurial orientation and firm capability in the creative industries. Br J Manag 23(3):415–432. https://doi.org/10.1111/j.1467-8551.2011.00752.x
Chornyak BA (2014) Food as a lens: developing methods for interdisciplinary collaboration. In: Communication presented at the international food design conference and symposium, Otago Polytechnic Dunedin, New Zealand, July
Christensen CM (1997) The innovator’s dilemma: the revolutionary book that will change the way you do business. Harvard Business School Press, Boston
Christiaans HHCM (2002) Creativity as a design criterion. Creat Res J 14(1):41–54. https://doi.org/10.1207/S15326934CRJ1401_4
Ciborra CU (2009) From thinking to tinkering: the grassroots of strategic information systems. In: Avgerou C, Francesco Lanzara G, Willcocks LP (eds) Bricolage, care and information: Claudio Ciborra’s legacy in information systems research. Technology, Work and Globalization. Palgrave Macmillan UK, London, pp 206–220. https://doi.org/10.1057/9780230250611_10
Colangelo N, Davis GA (1991) Handbook of gifted education. Allyn & Bacon, Boston
Cooley M (1982) Architect or bee? The human/technology relationship. South End Press
Cooley M (2007) From judgement to calculation. AI Soc 21(4):395. https://doi.org/10.1007/s00146-007-0106-5
Cromwell E, Galeota-Sprung J, Ramanujan R (2015) Computational creativity in the culinary arts. In: Proceedings of the twenty-eighth International Florida Artificial Intelligence Research Society Conference, AAAI Publications, Florida, USA
Cropley DH (2009) Fostering and measuring creativity and innovation: individuals, organisations and products. In: Measuring creativity. Proceedings for the conference, can creativity be measured?, Brussels, Belgium, pp 257–278
Cropley DH, Cropley A (2005) Engineering creativity a systems concept of functional creativity. In: Kaufman JC, Baer J (eds) Creativity across domains: faces of the muse. Lawrence Erlbaum Associates Publishers, Mahwah, pp 169–185
Cropley DH, Kaufman JC (2013) Rating the creativity of products. In: Thomas K, Chan J (eds) Handbook of research on creativity. Edward Elgar Publishing, Cheltenham, pp 196–211
Csíkszentmihályi M (1997) Creativity: flow and the psychology of discovery and invention. HarperCollins, New York
Csíkszentmihályi M (2002) Flow: the psychology of optimal experience. Rider, London
Csíkszentmihályi M (2006) A systems perspective on creativity. In: Henry J (ed) Creative management and development, 3rd edn. SAGE Publications Ltd, London, pp 3–17. https://doi.org/10.4135/9781446213704
Deerwester S, Dumais ST, Furnas GW, Landauer TK, Harshman R (1990) Indexing by latent semantic analysis. J Am Soc Inf Sci 41(6):391–407
De-Solier I (2010) Liquid nitrogen pistachios: molecular gastronomy, elBulli and foodies. Eur J Cult Stud 13(2):155–170. https://doi.org/10.1177/1367549409352275
Dollinger SJ (2007) Creativity and conservatism. Pers Individ Differ 43(5):1025–1035. https://doi.org/10.1016/j.paid.2007.02.023
Domene-Danés M (2013) elBulli: contemporary intersections between food, science, art and late capitalism. BRAC Barc Res Art Creat 1(1):100–126. https://doi.org/10.4471/brac.2013.04
“elBulli 1983-2011 general catalogue.” n.d. http://www.elbulli.com/catalogo/catalogo/index.php?lang=en. Accessed 12 Sept 2017
Eysenck HJ (1993) Creativity and personality: suggestions for a theory. Psychol Inq 4(3):147–178
Fauchart E, von Hippel E (2008) Norms-based intellectual property systems: the case of french chefs. Organ Sci 19(2):187–201. https://doi.org/10.1287/orsc.1070.0314
Ferguson PP (1998) A cultural field in the making: gastronomy in 19th-century France. Am J Sociol 104(3):597–641. https://doi.org/10.1086/210082
Ferguson PP (2004) Accounting for taste: the triumph of French cuisine, 1st edn. University Of Chicago Press, Chicago
Finke RA, Ward TB, Smith SM (1996) Creative cognition: theory, research, and applications. A Bradford Book, Cambridge
Florida R (2002) The rise of the creative class and how it’s transforming work, leisure, community, and every-day life. Basic Books, New York
Fontenot NA (1993) Effects of training in creativity and creative problem finding upon business people. J Soc Psychol 133(1):11–22. https://doi.org/10.1080/00224545.1993.9712114
Forster EA, Dunbar KN (2009) Creativity evaluation through latent semantic analysis. In: Taatgen N, van Rijn H (eds) CogSci 2009 proceedings, Cognitive Science Society, Inc., Amsterdam, pp 602–607
Frand EA (1989) The art of product development: from concept to market. Dow Jones-Irwin
Gardner HE (2008) Multiple intelligences: new horizons in theory and practice. Hachette UK
George JM (2007) Creativity in organizations. Acad Manag Ann 1(1):439–477. https://doi.org/10.1080/078559814
Getzels JW, Jackson PW (1962) Creativity and intelligence: explorations with gifted students. Wiley, New York
Glăveanu VP (2014) The psychology of creativity: a critical reading. Creat Theor Res Appl 1(1):10–32
Gruenwald G (2001) New product development: responding to market demand, 2nd edn. McGraw-Hill Contemporary, Lincolnwood
Guilford JP (1950) Creativity. Am Psychol 5(9):444–454
Guilford JP (1959) Traits of creativity. In: Anderson H (ed) Creativity and its cultivation. Harper, New York
Guilford JP (1967) The nature of human intelligence. McGraw-Hill, New York
Guilford JP, Hoepfner R (1966) Sixteen divergent-production abilities at the ninth-grade level. Multivar Behav Res 1(1):43–66. https://doi.org/10.1207/s15327906mbr0101_3
Haller CS, Courvoisier DS, Cropley DH (2010) Correlates of creativity among visual art students. Int J Creat Probl Solving 20(1):53–71
Hasse C (2001) Institutional creativity: the relational zone of proximal development. Cult Psychol 7(2):199–221. https://doi.org/10.1177/1354067X0172005
Heinelt G (1984) Kreative Lehrer, Kreative Schüler. Wie Die Schule Kreativität Fördern Kann. Herder Verlag GmbH, Freiburg im Breisgau
Heller P (1954) Creative process and creative product: two examples of an analogy. J Aesthet Art Crit 12(3):328–342
Helson R (1999) A longitudinal study of creative personality in women. Creat Res J 12(2):89–101. https://doi.org/10.1207/s15326934crj1202_2
Hennessey BA, Kim G, Guomin Z, Weiwei S (2008) A multi-cultural application of the consensual assessment technique. Int J Creat Probl Solving 18(2):87–100
Hennessey BA, Teresa MA, Mueller JS (2011) Consensual assessment. In: Mark AR, Pritzker SR (eds) Encyclopedia of creativity, vol 1, 2nd edn. Academic Press, San Diego, pp 253–260
Hickey M (2001) An application of Amabile’s consensual assessment technique for rating the creativity of children’s musical compositions. J Res Music Educ 49(3):234–244. https://doi.org/10.2307/3345709
Horn D, Salvendy G (2006) Consumer-based assessment of product creativity: a review and reappraisal. Hum Factors Ergon Manuf Serv Ind 16(2):155–175. https://doi.org/10.1002/hfm.20047
Horng J-S, Hu M-L (2009) The creative culinary process: constructing and extending a four-component model. Creat Res J 21(4):376–383. https://doi.org/10.1080/10400410903297956
Horng J-S, Lin L (2009) The development of a scale for evaluating creative culinary products. Creat Res J 21(1):54–63. https://doi.org/10.1080/10400410802633491
Jackson PW, Messick S (1965) The person, the product, and the response: conceptual problems in the assessment of creativity. J Pers 33(3):309–329. https://doi.org/10.1111/j.1467-6494.1965.tb01389.x
Jimenez-Mavillard A (2016) Bullipedia: Un Caso de Construcción Social de Conocimiento Gastronómico. PhD Thesis, Electronic Thesis and Dissertation Repository, Western University, London, ON, Canada. Paper 4127. http://ir.lib.uwo.ca/etd/4127
Jimenez-Mavillard A, Suarez JL (2020) Diffusion of elBulli’s innovation: rate of adoption in Allrecipes and Epicurious. Int J Gastron Food Sci 22(December):100243. https://doi.org/10.1016/j.ijgfs.2020.100243
Jordanous A (2012) A standardised procedure for evaluating creative systems: computational creativity evaluation based on what it is to be creative. Cogn Comput 4(3):246–279. https://doi.org/10.1007/s12559-012-9156-1
Kabanoff B, Rossiter JR (1994) Recent developments in applied creativity. Int Rev Ind Organ Psychol 9:283–324
Karpova E, Marcketti SB, Barker J (2011) The efficacy of teaching creativity: assessment of student creative thinking before and after exercises. Cloth Text Res J 29(1):52–66. https://doi.org/10.1177/0887302X11400065
Kaufman JC, Gentile CA, Baer J (2005) Do gifted student writers and creative writing experts rate creativity the same way? Gift Child Q 49(3):260–265. https://doi.org/10.1177/001698620504900307
Kaufman JC, Lee J, Baer J, Lee S (2007) Captions, consistency, creativity, and the consensual assessment technique: new evidence of reliability. Think Skills Creat 2(2):96–106
Kaufmann G (2003) Expanding the mood-creativity equation. Creat Res J 15(2–3):131–135. https://doi.org/10.1207/S15326934CRJ152&3_03
Kotsiantis SB (2007) Supervised machine learning: a review of classification techniques. In: Karpouzis K, Wallace BA, Soldatos J, Ilias GM (eds) Emerging artificial intelligence applications in computer engineering. IOS Press , Washington
Kristensson P, Norlander T (2003) The creative product and the creative processes in virtual environments. Creat Innov Manag 12(1):32–40. https://doi.org/10.1111/1467-8691.00266
Landauer TK, Foltz PW, Laham D (1998) Introduction to latent semantic analysis. Discourse Process 25:259–284
Lubart TI (1994) Creativity. Thinking and problem solving. Handbook of perception and cognition, 2nd edn. Academic Press, San Diego, pp 289–332. https://doi.org/10.1016/B978-0-08-057299-4.50016-5
Lubart TI (2001) Models of the creative process: past, present and future. Creat Res J 13(3–4):295–308. https://doi.org/10.1207/S15326934CRJ1334_07
Lubart TI, Mouchiroud C, Tordjam S, Zenasni F (2003) Psychologie de la créativité. Armand Colin, Paris
MacKinnon DW (1968) Creativity psychological aspects. In: Sills DL (ed) International encyclopedia of the social sciences, vol 3. Macmillan, New York
MacKinnon DW (1978) In search of human effectiveness: identifying and developing creativity. Creative Education Foundation, Buffalo
Mayer RE (1999) Fifty years of creativity research. In: Sternberg RJ (ed) Handbook of creativity. Cambridge University Press, Cambridge, pp 449–460
McGee H (2004) On food and cooking. Scribner, New York
Messeni-Petruzzelli A, Savino T (2014) Search, recombination, and innovation: lessons from haute cuisine. Long Range Plan 47(4):224–238. https://doi.org/10.1016/j.lrp.2012.09.001
Michalko M (2006) Thinkertoys. Ten Speed Press, Toronto
Montanari M (2006) Food is culture (trans: Sonnenfeld A). Columbia University Press, New York
Mumford MD (2003) Where have we been, where are we going? Taking stock in creativity research. Creat Res J 15(2):107–120. https://doi.org/10.1207/S15326934CRJ152&3_01
Mumford MD, Gustafson SB (1988) Creativity syndrome: integration, application, and innovation. Psychol Bull 103(1):27–43. https://doi.org/10.1037/0033-2909.103.1.27
Myhrvold N, Chris Y, Maxime B (2011) Modernist cuisine: the art and science of cooking, Spi Har/Pa. The Cooking Lab, Bellevue
Nicholls JG (1972) Creativity in the person who will never produce anything original and useful: the concept of creativity as a normally distributed trait. Am Psychol 27(8):717–727. https://doi.org/10.1037/h0033180
Nonaka I, Takeuchi H (1995) The knowledge-creating company: how Japanese companies create the dynamics of innovation, 1st edn. Oxford University Press, New York
O’Hara LA, Sternberg RJ (2001) It doesn’t hurt to ask: effects of instructions to be creative, practical, or analytical on essay-writing performance and their interaction with students’ thinking styles. Creat Res J 13(2):197–210. https://doi.org/10.1207/S15326934CRJ1302_7
O’Quin K, Besemer SP (2006) Using the creative product semantic scale as a metric for results-oriented business. Creat Innov Manag 15(1):34–44. https://doi.org/10.1111/j.1467-8691.2006.00367.x
Ochse RA (1990) Before the gates of excellence: the determinants of creative genius. Cambridge University Press, New York
Osborn A (1963) Applied imagination. Charles Scribner & Sons, New York
Pilar Opazo M (2012) Discourse as driver of innovation in contemporary haute cuisine: the case of elBulli restaurant. Int J Gastron Food Sci 1(2):82–89. https://doi.org/10.1016/j.ijgfs.2013.06.001
Pinel F, Varshney LR (2014) Computational creativity for culinary recipes. In: CHI ’14 extended abstracts on human factors in computing systems, CHI EA ’14. AC, New York, pp 439–442. https://doi.org/10.1145/2559206.2574794
Plucker JA, Renzulli JS (1999) Psychometric approaches to the study of human creativity. In: Sternberg RJ (ed) Handbook of creativity. Cambridge University Press, Cambridge, pp 35–61
Polan D (2011) Contexts of creativity Ferran Adrià and ElBulli. Gastron J Crit Food Stud 11(4):119–120. https://doi.org/10.1525/gfc.2012.11.4.119
Prajogo DI (2006) The relationship between innovation and business performance: a comparative study between manufacturing and service firms. Knowl Process Manag 13(3):218–225. https://doi.org/10.1002/kpm.259
Rao H, Monin P, Durand R (2003) Institutional change in toque ville: nouvelle cuisine as an identity movement in French gastronomy. Am J Sociol 108(4):795–843
Redmond MR, Mumford MD, Teach R (1993) Putting creativity to work: effects of leader behavior on subordinate creativity. Organ Behav Hum Decis Process 55(1):120–151. https://doi.org/10.1006/obhd.1993.1027
Reis SM, Renzulli JS (1991) The assessment of creative products in programs for gifted and talented students. Gift Child Q 35:128–134
Rhodes M (1961) An analysis of creativity. Phi Delta Kappan 42(7):305–310
Ritchie G (2001) Assessing creativity. In: Proceedings of the AISB symposium on AI and creativity in arts and science, York, pp 3–11
Runco MA (2004) Creativity. Annu Rev Psychol 55(1):657–687
Runco MA, Pritzker SR (1999) Encyclopedia of creativity, 1st edn. Academic Press, San Diego
Schumpeter J (1934) The theory of economic development: an inquiry into profits, capital, credit, interest, and the business cycle. Harvard University Press, Cambridge
Shao N, Murali P, Sheopuri A (2014) New developments in culinary computational creativity. In: Colton S, dan Ventura, Lavrač N, Cook M (eds) Proceedings of the 5th ICCC 2014, Jožef Stefan Institute, Ljubljana
Silvia P, Winterstein B, Willse J, Barona C, Cram J, Hess K, Martinez J, Richard C (2008) Assessing creativity with divergent thinking tasks: exploring the reliability and validity of new subjective scoring methods. Psychol Aesthet Creat Arts 2(May):68–85. https://doi.org/10.1037/1931-3896.2.2.68
Stake R (1995) The art of case study research. Sage Publications, Thousand Oaks
Stein MI (1953) Creativity and culture. J Psychol Interdiscip Appl 36:311–322. https://doi.org/10.1080/00223980.1953.9712897
Sternberg RJ (1988) The nature of creativity: contemporary psychological perspectives. CUP Archive
Sternberg RJ (1992) Creativity: its nature and assessment. Sch Psychol Int 13(3):243–253. https://doi.org/10.1177/0143034392133004
Sternberg RJ (1995) Defying the crowd: cultivating creativity in a culture of conformity. Free Press, New York
Sternberg RJ (1996) Investing in creativity. Am Psychol 51(7):677–688. https://doi.org/10.1037/0003-066X.51.7.677
Sternberg RJ (1998). In: Sternberg RJ (ed) Handbook of creativity, 1st edn. Cambridge University Press, Cambridge
Sternberg RJ (2006) The nature of creativity. Creat Res J 18(1):87–98
Sternberg RJ (2011) Creativity. Cognitive psychology, 6th edn. Wadsworth Publishing, Belmont
Sternberg RJ, Lubart TI (1991) An investment theory of creativity and its development. Hum Dev 34(1):1–31. https://doi.org/10.1159/000277029
Stierand M, Dörfler V, MacBryde J (2014) Creativity and innovation in haute cuisine: towards a systemic model. Creat Innov Manag 23(1):15–28. https://doi.org/10.1111/caim.12050
Stonehouse G, Minocha S (2008) Strategic processes @ nike: making and doing knowledge management. Knowl Process Manag 15(1):24–31
Suárez JL, Sancho-Caparrini F (2013) Evolving creativity: an analysis of the creative method in elBulli restaurant. In: 2013 International conference on culture and computing (culture computing), pp 98–103. https://doi.org/10.1109/CultureComputing.2013.25
Svejenova S, Mazza C, Planellas M (2007) Cooking up change in haute cuisine: Ferran Adrià as an institutional entrepreneur. J Organ Behav 28(5):539–561
Svejenova S, Planellas M, Vives L (2010) An individual business model in the making: a chef’s quest for creative freedom. Long Range Plan Bus Model 43(2–3):408–430. https://doi.org/10.1016/j.lrp.2010.02.002
Svejenova S, Slavich B, Abdelgawad S (2012) Business models of creative entrepreneurs: the case of haute cuisine chefs. In: Oxford handbook of creative industries, Oxford University Press. https://hal.archives-ouvertes.fr/hal-00813901
Taylor IA (1975) An emerging view of creative actions. In: Taylor IA, Getzels JW (eds) Perspectives in creativity. Aldine Transaction, Chicago, pp 297–325
This H (2006) Molecular gastronomy: exploring the science of flavor. Columbia University Press
This H (2009) Molecular gastronomy, a scientific look at cooking. Acc Chem Res 42(5):575–583. https://doi.org/10.1021/ar8002078
Torrance EP (1962) Guiding creative talent. Prentice-Hall, Englewood Cliffs
Torrance EP (1974) Torrance tests of creative thinking. Personnel Press, Lexington
Torrance EP, Goff K (1989) A quiet revolution. J Creat Behav 23(2):136–145. https://doi.org/10.1002/j.2162-6057.1989.tb00683.x
Treffinger DJ (1995) Creativity, creative thinking, and critical thinking: in search of definitions. Center for Creative Learning, Sarasota, Florida
Treffinger DJ, Young GC, Selby EC, Shepardson C (2002) Assessing creativity: a guide for educators. In: National Research Center on the Gifted and Talented. https://eric.ed.gov/?id=ED505548
Varshney LR, Pinel F, Varshney KR, Schörgendorfer A, Chee Y (2013) Cognition as a part of computational creativity. In: 2013 IEEE 12th international conference on cognitive informatics and cognitive computing, pp 36–43. https://doi.org/10.1109/ICCI-CC.2013.6622223
Veryzer RW (1998) Key factors affecting customer evaluation of discontinuous new products. J Prod Innov Manag 15(2):136–150. https://doi.org/10.1111/1540-5885.1520136
Vidal RVV (2009) Creativity for problem solvers. AI Soc 23(3):409–432. https://doi.org/10.1007/s00146-007-0118-1
Wallach MA, Kogan N (1965) Modes of thinking in young children: a study of the creativity-intelligence distinction. Rinehart & Winston, Oxford
Wallas G (1926) The art of thought. Harcourt-Brace, New York
Wen Y, Asano Y, Yoshikawa M (2015) Ranking recipes according to classicality towards understanding evolution of food preference. In: Proceedings of the international conference on culture and computing 2015, Japan
Widmer G, Flossmann S, Grachten M (2009) YQX Plays Chopin. AI Mag 30(3):35–48. https://doi.org/10.1609/aimag.v30i3.2249
Williams G (2012) Staying creative. Wired UK Edition
Wolpert DH (1996) The lack of a priori distinctions between learning algorithms. Neural Comput 8(7):1341–1390. https://doi.org/10.1162/neco.1996.8.7.1341
Wolpert DH, Macready WG (1997) No free lunch theorems for optimization. IEEE Trans Evol Comput 1(1):67–82. https://doi.org/10.1109/4235.585893
Woodman RW, Sawyer JE, Griffin RW (1993) Toward a theory of organizational creativity. Acad Manag Rev 18(2):293–321. https://doi.org/10.2307/258761
Yin RK (2003) Case study research: design and methods. SAGE Publications
Zaltman G, Duncan R, Holbek J (1973) Innovations and organizations. Wiley , New York
Author information
Authors and Affiliations
Corresponding author
Additional information
Publisher's Note
Springer Nature remains neutral with regard to jurisdictional claims in published maps and institutional affiliations.
Rights and permissions
About this article
Cite this article
Jimenez-Mavillard, A., Suarez, J.L. A computational approach for creativity assessment of culinary products: the case of elBulli. AI & Soc 37, 331–353 (2022). https://doi.org/10.1007/s00146-021-01183-3
Received:
Accepted:
Published:
Issue Date:
DOI: https://doi.org/10.1007/s00146-021-01183-3