This is a preview of subscription content, log in via an institution to check access.
References
Read, G.Music Notation, second edition. Boston: Allyn and Bacon (1969).
Ross, T.The Art of Music Engraving and Processing, Miami: Hansen Books (1970).
Gamble, W.Music Engraving and Printing: Historical and Technical Treatise. New York: Da Capo Press, 1971). Reprint of same title, London: Pitman (1923).
Hiller, L. Automated music printing,Journal of Music Theory.VI.9, pp. 129–150 (1965)
Raskin, J.A Hardware Independent Computer Drawing System Using List Structured Modeling: The Quick-Draw Graphics System. Master's thesis: Pennsylvania State University (1967).
Gabura, A. J. Music style analysis by computer,The Computer and Music (ed. H. B. Lincoln) Ithaca: Cornell University Press (1970).
Byrd, D. A system for music printing by computer,Computers and the Humanities 8, 161–172 (1974).
Knowlton, P.Interactive Communication and Display of Keyboard Music. University of Utah: Ph.D. dissertation (1971).
Wenker, J. A computer-oriented music notation.Musicology and the Computer (ed. B. S. Brook) New York: City University of New York Press (1970).
Lincoln, H. B. Toward a computer typography for music research: a progress report, paper presented to the International Federation of Information Processing Societies, Ljubljana (1971).
Sargeant, W. Music notes,New Yorker, 18 December (1971).
Smith, L. Editing and printing music by computer,Journal of Music Theory,17, 292–309. (1973).
Carter, E.Double Concerto for Harpsichord and Piano with Two Chamber Orchestras. New York: Associated Music Publishers, Inc. (1961). © Copyright 1962, 1964; used by permission of the publisher.
Prerau, D. Computer pattern recognition of printed music, American Federation for Information Processing Societies Fall Joint Computer Conference (1971).
Ashton, A.Electronics, Music and Computers. University of Utah: Ph.D. dissertation (1970).
Reported in Lincoln, H. B. The current state of music research and the computer.Computers and the Humanities 5, 29–36 (1970).
Jackson, R. and P. Berznott, A musical input language and a sample program for musical analysis.Musicology and the Computer (ed. B. S. Brook) New York: City University of New York Press (1970).
Brook, B. S. The simplified “Plaine and Easie Code System” for notating music.Fontes Artis Musicae,12, 156–160 (1965).
Gould, M. and G. W. Logemann. ALMA: alphanumeric language for music analysis,Musicology and the Computer (ed. B. S. Brook) New York: City University of New York Press (1970).
Schiødt, N. and B. Svejgaard. Application of computer techniques to the analysis of byzantine sticherarion melodies,Elektronische Datenverarbeitung in der Musikwissenschaft (ed. H. Heckmann). Regensburg: Gustav Bosse Verlag (1967).
Hultberg, W. Transcription of tablature to standard notation.The Computer and Music (ed. H. B. Lincoln). Ithaca: Cornell University Press (1970).
Erickson, R. F.DARMS Manual in preparation.
Erickson R. F., and A. B. Wolff. The DARMS project: implementation of an artificial language for the representation of music,Advances in Computers. New York: Academic Press (1977) to appear.
Feigenbaum, E. and J. Feldman.Computers and Thought New York: McGraw-Hill, p. 349 (1963).
Knuth, D. Computer programming as an art,Communications of the Association for Computing Machinery,17, 667–673 (December 1974).
Gomberg, D. A.A Computer-Oriented System for Music Printing, D.Sc. dissertation, Washington University (1975). Available from Xerox University Microfilms, 76-6257.
Author information
Authors and Affiliations
Additional information
The research described here was part of the author's dissertation work at Washington University, St. Louis.
Rights and permissions
About this article
Cite this article
Gomberg, D.A. A computer-oriented system for music printing. Comput Hum 11, 63–80 (1977). https://doi.org/10.1007/BF02404004
Issue Date:
DOI: https://doi.org/10.1007/BF02404004