Abstract
Alessio Baldovinetti kept a diary and many events from his life are recorded in this book, which has been published several times (1), but we owe the knowledge of the date of his birth to a discovery made by Prof. Londi (2). He was horn in 1425 and not on the 14th October 1427 as has been thought for many years. We do not know very much about his private life. In 1470 he was not yet married and did not possess any property; at this time he rented a house in the Canto dei Gori in the S. Lorenzo quarter of the town. In a cadastral declaration of 148o he gives his age as sixty βhe was really only fifty-five β that of his wife Monna Dania β Milanesi erroneously calls her Diana β as forty-five and that of the servant Mea as thirteen. (3). He is still living in the Canto dei Gori but he now owns two shops with dwelling houses above which he lets (4); he was given these buildings in payment for some restoration he carried out on the mosaics of the baptistery of Florence. Later we learn that he has become the proprietor of three pieces of ground.
C. Bagnesi Bellinucci, Pitture di A.B. nella cappella di Gianfigliazzo in Sta. Trinita, Miscellanea dβ Arte, I, p. 50. B. Berenson, A. B. and the new Madonna of the Louvre, Study and Criticism of Italian Art, II, London, 1914, p. 23 (Gazette des Beaux Arts, 1898, p. 39). J. Cartwright, The Painters of Florence, London, 1910, p. 137. Cavallucci, Au sujet des restaurations que B. fit aux mosaics du BaptistΓ©re de Florence. Arte e Storia. VIII, 1889, p. 42. L. Cust, A Portrait by A. B. at Hampton Court Palace, Apollo, VII, 1928, p. 26. A. u Fabriczy, Aus dem Gedenkbuch Francesco Baldovinettiβs, Repert. f. Kunstwiss, XXVIII, 1905, p. 539. G. Frizzoni, On the self portrait in the Gallery Morelli, Bergamo, Archiv. Stor. dellβ Arte, V, 1892, p. 222. R. Fry, On a profile Portrait by A. B. (National Gallery, No. 578), Burlington Magazine, XVIII, 1911. p. 311. The Same, Three Pictures in the Jacquemart AndrΓ© Collection, Burlington Magazine, XXV, 1914, p. 79. O. H. Giglioli. Pitture di Castagno e B. nella chiesa di S. Egidio. Rivista dβ Arte. 1905, p. 209. The Same, La cappella del Cardinale di Portogallo nella chiesa di S. Miniato al Monte e le pitture di A. B., Rivista dβ Arte. 1906. p. 89. The Same, Una pittura sconosciuta di A. B. nella chiesa di S. Marco, Firenze. Rassegna dβ Arte, VII, 1907, p. 26. The Same, Vita di A. B. scritta dal Vasari, Florence (1912). G. Grilli, Le pitture attribuiti ad A. B. in S. Miniato al Monte. Firenze, Rivista dβ Italia. Jan. 1903. p. 156. H. Horne, A newly discovered βLibro di Ricordiβ of A. B., Burlington Magazine, II, 1903, pp. 22, 167, 377. The Same, A newly discovered Altar-piece by A. B., Burlington Magazine VIII, 1905, p. 51. E. Londi, La data di nascita di A. B., Rivista dβ Arte, 1906, p. 191. The Same, A. B., Florence, 1907. J. Mesnil, La cappella del miracolo di S. Ambrogio e una tavola di A. B., Rivista dβ Arte, 1905, p 81. G. Poggi, I Ricordi di A. B. nuovamente pubbl. ed illustr.. Florence, 1909. G. Pierotti, Ricordi di A. B. (per nozze Bongi-Ranalti), Lucca, 1868. A. Renan, (The Madonna in the Louvre), Chronique des Arts. 5th March 1898. D. Santβ Ambrogio, Il prezioso cappuccio di piviale del Museo Poldi Pezzoli, Rassegna dβ Arte, III, 1903, p. 184. O. SirΓ©n, A Picture by A. B. in the Jarves Collection; Newhaven, Art in America, 1914. p. 236. A. Venturi. Un ritratto del B. a Hampton Court etc., Lβ Arte, 1922, p. 10. The Same, Una predella di A. B. in Casa Buonarroti a Firenze. Lβ Arte. 1927, p. 34. W. Weisbach, Die Duchatel Madonna im Louvre, Kunst-chronich N. F., IX, p. 325. The Same, A. B. in Thieme Becker, KΓΌnstler Lexikon, II, 1908, p. 398.
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Reference
GiΓΌoli, op. cit, Rivista dβ Arte, 1905. p. 208.
Grilli. op. cit. Gf βlio/. Rivista dβ Arte. 1906. p. 89.
G, tio7i, op. cit.. Rassegna dβ Arte, VII. 1907, p. 26.
G. Poggi, in G. Daniel/1. e G. Poggi, Itinerari automobilistica dβ Italia: Toscana, Firenze, 1924. p. 239, ascribes it to Neri di Bicci.
Photo. Braun, 76037, 76038, Bolletino d β Arte, 1909, P. 375.
A. M. flied anaβ S. Colvin, Catalogue of early Italian Engravings etc. in the British Museum, London, 1910, p. 46 and fig. A. V 6.
O. Sioβn, op. cit. The Sante, A descriptive Catalogue of the Pictures in the Jarves Collection belonging to Yale University. Newhaven, London, Oxford, 1916. p. 107.
B. Berenson, A Catalogue of a Collection of Paintings, etc., I, Italian Painting (Johnson coll., Philadelphia), Philadelphia, 1913, p. 17. F. M. Perkins, Rassegna dβ Arte, V, 1905, p. 114, calls it school of Angelico.
F. Baldinucci, Notizie di professori del disegno, I, Florence, 1845,P. 519.
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van Marle, R. (1929). Alessio Baldovinetti, Graffione and Finiguerra. In: The Development of the Italian Schools of Painting. Springer, Dordrecht. https://doi.org/10.1007/978-94-015-2813-9_3
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